This recent acquisition is one of the first English publications on pattern drafting, “rendered plain and easy to the meanest capacity.”
The Taylor’s Complete Guide, or, a Comprehensive Analysis of Beauty and Elegance in Dress, Containing Rules for Cutting out Garments of every kind (London: Allen and West, 15 Paternoster-Row, price 10s 6 d [1796?]). Accession number 21022, in the Beinecke’s Uncatalogued Acquisitions database.
The Eruption of Vesuvius
This image of Vesuvius is taken from the Dutch Natuurkundige Verhandelingen, of Verzameling van Stukken (1772-1777), a scientific periodical published in Amsterdam and offering the latest in European scientific findings for a Dutch-language audience. The Natuurkundige offered essays by authorities such as Buffon, Lavoisier, and Linnaeus, translated into Dutch. This recent acquisition is listed as accession number 21007, in the “Uncatalogued Acquisitions” database on the Beinecke Library web-site: http://www.library.yale.edu/beinecke.
Published September 8, 2008
From the Reading Room
Contributed by Jessica DeVos, one of the Beinecke’s summer graduate fellows and a Ph.D. candidate in the Yale University French Department.
Premier volume de la bibliothèque du Sieur de La Croix-du Maine
In his preface, La Croix du Maine states that he is cataloging 500 years of great French writers in order to honor France and her King. His finished product, however, focuses almost exclusively on 16th century writers and resembles a “Who’s Who” of Early Modern France. Each entry contains the author’s full name, their region or city of residence, and place of birth (if it differs from where they are currently residing). La Croix du Maine lists each writer’s publications, their publishers, and often the year of publication as well. He includes dates of activity and, when applicable, year of death. While many of the entries remain relatively straightforward and factual, the author occasionally includes asides or comments that can be both revealing and amusing.
I have found this 16th century text to be far more useful for my research than many modern search engines. I am interested in Early Modern French women writers, many of whose work was never published and only circulated in manuscript form. By working “backwards,” starting with contemporary catalogs, I have discovered authors who have long been forgotten and works overlooked by modern scholars.
Jessica DeVos was a Beinecke Graduate Fellow this summer, and is a Ph.D. candidate in the Yale University French Department. Her project is entitled “Autobiography, Authorship, and Artifice: The French Verse of Mary, Queen of Scots and the Reception of Renaissance Women Poets.”
The Beinecke has just acquired an imprint by the French Renaissance printer, Charlotte Guillard, who managed a Parisian printing house with several successive husbands in the sixteenth century, printing over 158 different titles between 1537-1557.
Bartolome Carranza, Summa Conciliorum et pontificum a Petro usaque ad Julium tertium succincte coplectens omnia quae alibi sparsim tradita sunt (Paris: Charlotte Guillard, widow of Claude Chevallon, 1555). Accession number 20994 in the Beinecke’s “Uncatalogued Acquisitions” database. For further information on Guillard, see Beatrice Beech, “Charlotte Guillard: A Sixteenth-Century Business Woman,” Renaissance Quarterly xxxvi (1983): 345-367.